Portland State University

2007-2008 Opera Appreciation Lecture Series


PORTLAND STATE UNIVERSITY • School of Extended Studies
Offered in collaboration with the Portland Opera and the School of Fine and Performing Arts


Are you getting all you can out of your opera experience?

Designed for the opera aficionado, the newcomer, and everyone in between, this series of eight lectures is
presented by the witty, articulate, and knowledgeable Michael Berkson. In addition to exploring the cultural,
historical, and conventional meanings of opera, consideration will be given to the appeal of opera and its
sometimes romanticized and foreign image. Lectures are supported by video and student performances.

  • To register for this noncredit course, call 503-725-4832 or 1-800-547-8887 ext 4832; stop by the School of Extended Studies, 1633 SW Park; or mail the registration form with payment to PSU Extended Studies, PO Box 1393, Portland, OR 97207.
  • All classes are self-supporting and may be canceled for insufficient enrollment. Those who have registered receive full refunds.
  • If you decide not to take a class, refunds are given up to one week prior to the start of class; no refunds after that date.
  • The School of Extended Studies fully supports the right of equal access to its classes by students with disabilities and makes every reasonable effort to ensure this access. Students with disabilities who require assistance should contact us at 503-725-4184 at least 15 working days before the scheduled beginning date of the course.

Call 503-72-LEARN for information about other programs.


All classes will be held at Portland State University on Saturdays
from noon to 2pm in the classrooms noted below.

Sopranos on Video
School of Business 190 • September 15, 2007
In preparation for Portland Opera’s presentation of the work beginning on September 21, examine Georges Bizet’s ever-popular operatic dramatization of a fiery gypsy’s adventures as a smuggler as well as her passionate love affairs with a jealous soldier and a celebrated toreador. Attention is paid to the opera’s libretto, musical highlights, and circumstances of composition. Video examples are included.
Norma
School of Business 190 • February 2, 2008
In preparation for Portland Opera’s presentation of the work beginning on February 8, examine George Frederick Handel’s baroque opera narrating the struggles of a queen to protect her young son, defend her own life, and preserve the sanctity of her marriage. A usurper has seized the kingdom of Milan, and the rightful ruler, Rodelinda’s husband, has disappeared. Alternately threatened and wooed by the powers in control of the government, she struggles to discover whether or not her husband is still alive. Attention is paid to the opera’s libretto, musical highlights, and circumstances of composition. Video examples are included.
Faust
School of Business 190 • October 27, 2007
In preparation for Portland Opera’s presentation of the work beginning on November 2, examine Gioacchino Rossini’s charming comic opera, set in the vocally florid bel canto style, which tells the traditional story of the lovely but ill-treated and overworked young woman who wins the heart of the handsome prince in spite of her selfish family’s efforts to stand in the way of her success. Attention is paid to the opera’s libretto, musical highlights, and circumstances of composition. Video examples are included.
The Flying Dutchman
School of Business 190 • March 8, 2008
In preparation for Portland Opera’s presentation of the work beginning on March 14, examine Benjamin Britten’s charming comic opera centered on a small English town’s community festival held in 1900 and arranged to honor the virginal status of a naïve young man in his late adolescence. The opera is peopled with a variety of townsfolk whose contrasting views on Albert Herring’s chaste condition provide impetus for the story and the comic vitality of the opera's fun. Attention is paid to the opera’s libretto, musical highlights, and circumstances of composition. Video examples are included.
The Return of Ulysses
School of Business 190 • December 1, 2007
Examine the subject of revolution as it is addressed in several notable operas, including works by Giuseppe Verdi, Gioacchino Rossini, Vincenzo Bellini, Umberto Giordano, Francis Poulenc, and Wolfgang Amadeus Mozart. Video examples are included.
A Performace in the Making Lincoln Hall 319 • April 12, 2008
Examine an opera project (title to be announced fall, 2007) shortly before its opening performance on April 25, 2008, with artistic participants on hand to discuss and demonstrate/perform the work. Class discussion offers information about the opera itself and the particular production in preparation.
Singers Hard at Work
Lincoln Hall 319 • January 19, 2008
Examine the solo voice as an operatic instrument. A group of young singers offers live performances and demonstrations of vocal technique for the class. Presentations include fully prepared performances as well as rehearsal procedures for work-in-progress. The young artists also discuss their craft and working procedures.
The Magic Flute
School of Business 190 • May 3, 2008
In preparation for Portland Opera’s presentation of the work beginning on May 9, examine Giuseppe Verdi’s magnificent operatic love story, which is set in the realm of ancient Egypt and tells of an Ethiopian princess who has been captured by the Egyptians and assigned to serve as handmaiden to the Pharaoh’s daughter. When these two women discover they are rivals for the love of the leader of Egypt’s army, a great deal of trouble, both political and romantic, quickly develops. Attention is paid to the opera’s libretto, musical highlights, and circumstances of composition. Video examples are included.


School of Extended Studies
School of Fine & Performing Arts
Portland State University
Portland Opera